A Permanent Scar from J.K. Rowling

This author taught us that hateful speech can be an Unforgivable.  The targets of Unforgivables must defend themselves, if possible, but do not owe the caster forgiveness.  Forgiveness would not remedy the caster’s harm.  The only hope for the caster is to undergo remorse.

On the morning of December 19, 2019, J.K. Rowling broke a long Twitter silence to post support for someone who actively promoted anti-trans harassment in the workplace.

Many fans instantly recoiled.  Within hours, longtime Potter fans posted reactions ranging from the Harry Potter Alliance’s dedication to “a better, safer, more loving world for trans people” to recommendations of works by trans and nonbinary authors to the Potter Puppet Pals‘ succinct “BOOOOOOOOOOOOOOO.”

Some fans felt so sickened that they knew they would have to withdraw from Harry Potter fandom.  Some said they had separated the fandom from the author long ago and planned to remain active in HP fan communities and activities, although this tweet outraged and grieved them.  Some mentioned the phrase “death of the author,” drawing on Roland Barthes’ critical theory to argue that the Harry Potter stories now belong completely to the readers; the author had forfeited ownership because she was violating the very ideals of acceptance that formed the core of her bestselling stories.

Reluctantly, I looked at the tweet itself.  Rowling mischaracterized Maya Forstater’s position as “stating that sex is real.”  That is a heck of a way to describe Forstater referring to trans women as “male people” or stating, as “objective reality,” that there are exactly two sexes, which is wrong at the most basic factual level.  Forstater has the right to say what she likes, of course; an employer also has the right not to renew her contract in order to keep her transphobic hostility out of the workplace.

Rowling’s support prioritizes someone’s desire to spew bigotry, without consequences, over the rights of people to be who they are without workplace harassment.

If the author were truly dead, in the Barthesian sense, Rowling’s tweet would not affect a reader’s feelings about the Potter stories.  But for many fans, it does.

Some fans expressed shock at Rowling; others noted, bitterly, that Rowling has always shown signs of anti-trans prejudice.  This highlighted an uncomfortable dynamic:  we’re all more sensitive to some kinds of hostility and oblivious to others, this often has to do with privilege, and discussions about this can get touchy and defensive.  We have to have those discussions anyway.

After Rowling’s transphobic tweet, can you really say “the author is dead” and read, without discomfort, the passage in Prisoner of Azkaban where Lupin coaches third-years to avenge themselves on Snape by imagining him in women’s clothes and then mocking him?  “Snape deserved it,” some people argue.  Did he?  He did deserve workplace consequences for bullying a child in ways that had nothing to do with sex and gender.  Did he deserve to be recast into a scenario with transmisogynistic harassment overtones?  Did the children deserve to be taught to channel their outrage into creating such an atmosphere?  Did the reader deserve to be told that this is an appropriate response to abusive teaching?

“Death of the author” would attribute this transmisogynistic harassment entirely to Lupin, the character.  But I can’t shut out information that way.  Rowling’s tweet changes my reading.  It makes me think that it was the author’s prejudices, more than the character, that were responsible for the gratuitous direction that Lupin’s teaching takes.  This is different from, say, the character of Snape ridiculing Neville’s classwork; I read that as the author being intentional and in control, disapproving of the character’s choice.

I wince to think that I might find many such changes in my understanding of the series on my next re-read.

I once left a fandom over irreconcilable differences.  Sixteen years later, it still feels sad.  Leaving a fandom meant losing friends and events that had become part of my life.  All that love and knowledge didn’t go anywhere.  It just sits in me, still.

I don’t want to do that with HP.  I don’t want to be so revolted by the author’s strident prejudice that I have to give up contact with the (very queer) people and events I know only through this fandom.  The author has never been present at those events.  Disinviting her now doesn’t change that.  My connections in the fandom never went through her.  They formed over more than a decade.  Could I disconnect them all, even if I tried?

Could I undo the ten months that my older child spent reading the series, the first novels she ever finished on her own, progressing from finding Sorcerer’s Stone difficult all the way to reading Deathly Hallows to herself?

Could I undo the hours and hours that my kids have spent Sorting themselves and their friends into Houses?  The Sorting panel that my younger child ran at a conference, by herself, when she was only 11?  The wizard rock songs that they grew up singing?

Could I erase my fond memories of getting through labor by imagining that Professor Snape was going to brew me something for the pain?

Could I undo telling my kids that Polyjuice Potion teaches empathy by putting you in someone else’s skin?

My thinking has become entwined with J.K. Rowling’s words, grown around them.  I don’t think I could uproot them all if I tried.  I think in terms of her stories.  When I read of trans teens and young adults who identified with her stories, then were stricken to learn that she advocated a kind of harassment that denied their very selves, the damage she was causing to these readers reminded me of something.

It reminded me of the dead unicorn:  “Harry had never seen anything so beautiful and sad.”

It is “a monstrous thing” to hurt “something pure and defenseless,” very young readers taking in stories of love and acceptance and being formed by them.

What have trans people done to deserve this from Rowling, this completely unprovoked breaking of her social media silence that nobody asked for?

McGonagall cries out to the Ministry workers attacking Hagrid, “Leave him alone!  Alone, I say!  […]  On what grounds are you attacking him?  He has done nothing, nothing to warrant such –”

Lily says to James of teen Snape, “Leave him ALONE! […] What’s he done to you?”

And James tells her, “It’s more the fact that he exists, if you know what I mean…”

That’s what Rowling is defending when she tweets #IStandWithMaya:  the desire to attack someone who has done nothing, just because they exist.

And then, when Lily defends Snape, he calls her “the unforgivable word: ‘Mudblood.'”  Yes, it’s Rowling who equates the gravity of hateful words with crimes like torture, enslavement, and murder.

He knew the dangers that faced Muggle-borns.  He knew the philosophy behind that particular slur.  He called her that name.  Rowling must know, has no excuse not to know, the dangers of anti-trans prejudice.

With sorrow and resignation, I have to recognize that with her words denying the reality of trans existence, she has committed an Unforgivable.

She herself taught us what must be done after an Unforgivable.

Lily tells Snape, “I’ve made excuses for you for years.”  Over 20 years, Potter fandom has dealt collectively with Rowling’s fat hatred, with the racial tokenism in her stories and the dismissive racism in the Ilvermorny backstory, with the marginalization of any queerness in her books.  The bitter dialogues between fans about how long it takes some of us to acknowledge these things reminds me of Dumbledore in King’s Cross:  “Did I know, in my heart of hearts, what Gellert Grindelwald was?  I think I did, but I closed my eyes.”

I don’t think I closed my eyes, but I drew my own boundaries, uncomfortably.  After all, one does not have to approve of a creator to study their works.  I know what I think of Thomas Jefferson, but I am not giving up my love for the Declaration of Independence, nor my claim to its contents, even though they were definitely not written with my Asian American cis female self in mind.  I draw the line somewhere different in each case, based on how to preserve my own love in life.  BBC Sherlock produced an astonishingly racist episode called “The Blind Banker,” which I decided to ignore while embracing the rest of the series.  When I learned some things about Marion Zimmer Bradley, though, I couldn’t do that.  The Mists of Avalon was formative for me as a teen, the version of the Arthur legends that is canon for me, and I don’t want to give up my memories of loving that mind-opening book.  But if I reread it now — even though the author is, in this case, actually dead — I would see, in her fiction, disturbing traces of the horrifying things I learned about her as an adult.  I decided that I will keep that book, not throw it out, but I will not open it ever again.  Not if I want to preserve both my ecstatic teen reading experience and my adult knowledge of the author.

I don’t want to give up my love.  It was real, and it formed me.

Lily tells Snape, “I can’t pretend anymore.  You’ve chosen your way, I’ve chosen mine.”

On the day of Rowling’s tweet, in a mailing list email, the Harry Potter Alliance wrote, “We know that trans women are women, trans men are men, non-binary people are non-binary, and that affirming and respecting people’s gender is kind, loving, and literally saves lives.  We know, too, that a story and a community this big and this magical belongs to all of us and always will.  To our trans community: we love you, we see you, and we will continue to uplift your voices and stand with you.

With those words, the HP Alliance parted ways with Rowling.  They chose the many trans and nonbinary members of the HP fandom over the author.

According to the story that Rowling taught us:  when someone casts an Unforgivable against you, their guilt is not your burden.  You are not required to forgive them, although you certainly may, if that is right for you.  But your forgiveness is your own business and does not absolve them.  They have damaged or even split their souls, and the only remedy is remorse, their own true and full recognition of the harm they have caused.

The soul of Rowling’s story is love, acceptance, protection.  For me, the author’s anti-trans prejudice has the effect of splitting this story’s soul.  I will look in, periodically, as Dumbledore did with Snape, to see if this author ever shows signs of remorse, as long as I have natural curiosity about it.  If my curiosity fades, that will be okay, but I will not push myself to ignore her or her work as long as I feel interest.  I don’t think it harms my soul to retain, as belonging to myself free and clear, every bit of the love I have ever felt because of this author’s creations or the people I met because of them.  I don’t think it makes the ideals in her stories any less true because she cannot live up to them personally.  It certainly doesn’t make Cursed Child or Fantastic Beasts any less rich and compelling, and I will continue to delve into them.  I am as thankful as ever to witness the growth of her oeuvre in real time, the way I always imagined readers felt about serial releases from Charles Dickens.  I am as fascinated as ever that the success of Harry Potter has given the world an international shared text, a common story, which has been especially useful in the past few years as political allegory.

We didn’t ask to be scarred by the words from her prejudiced tweet, but we will have to deal with that wound for as long as Rowling’s work is part of our culture.  According to BuzzFeed News, on the day of the tweet, Rowling’s publicist declined GLAAD’s offer of an off-the-record conversation with members of the trans community.  I doubt this will be the last such offer.  I hope someday she accepts.

ETA:  Many thanks to Lynn Roy for pointing me toward this valuable Twitter thread from ScienceVet about biological sex! 

6 thoughts on “A Permanent Scar from J.K. Rowling

  1. I hope so much she accepts that offer someday. Not because it will fix things with the people she wounded, but for her own sake. I hope she learns differently. And when she does, I hope she sincerely understands and regrets the pain she has caused.

    As far as the Lupin scene goes, I think it does reflect the author’s idea of what is humiliating, not Lupin’s. Snape has just committed something nearly unforgivable as a teacher. He tried to bias another teacher about a student, before the first class, in front of that student and the entire class. If he wanted to help, he might have said, privately, “this student may need some extra help,” but even then, personally, I would not do it, and I teach *college*. It’s bullying, and it’s incredibly unprofessional. Lupin’s response of “actually, I was hoping he would help me” is really useful.

    Lupin also doesn’t say, “hey, Neville, let’s humiliate Professor Snape!” He picks Neville out (“give him a chance to shine. Let’s decimate his fear”) and asks “what do you most fear?” When the answer is “Professor Snape,” I think he’s really angry, but Lupin doesn’t do anger. He’s kind of passive-aggressive, maybe the result of spending an entire life keeping himself on a choke-chain. It’s not one of his more pleasant characteristics, and I’m pretty clear sighted about that, but yeah, “this poor kid. Fuck you sideways, Snape. He never did anything to you.” To be honest, I would have been pissed. “Fuck this guy for hurting a kid and making him think he’s stupid. He’s probably been doing it for years.” And you’ve gotta remember that there’s only one person Lupin really hates, and it’s himself, and he’s angry, and anger is Bad, but on the other hand, this poor kid…KILL! KILL! RIP TEAR GROWL oh, shit.” But Neville’s fear isn’t potions class. It is “Professor Snape.”

    I’m blaming Rowling for the transmisogyny. It could have been a lot of other stuff, like Professor Snape turning into a pudding, or his voice becoming a Charlie Brown “wauk wauk wauk,” or tap dancing to “Shuffle Off To Buffalo.” (I’d have gone for the tap dancing, if it were me. Silly, but not damaging).

    Also, when much later, he says to Harry that he doesn’t hate Snape, I think that’s true. I think he’s ashamed of not stepping in against his friends when it’s Snape who’s being bullied, but as I said, least likable characteristics.

    I also am glad that you are going to continue work on Fantastic Beasts, because your insights on Nagini are, well, fantastic, and I’ve talked to my students about that, multiple times, mentioning your name.

    I’m still trying to process the whole thing, honestly. I literally do not know how to feel about this or what to do. But no one is going to rip Lupin away from me and what that very damaged character has meant to me, and a lot of LGBTQ people, actually. I think she genuinely can’t.

    Oh, yeah, The Blind Banker. Wince. Sherlock is so incredibly hit and miss.


    • I had thought probably the transmisogyny in the boggart scene was the author and not the character, but those distinctions are not as easy to assert amid chants of “death of the author” unless something THIS blatant makes the argument difficult to ignore.

      I definitely think Lupin’s “I neither like nor dislike” statement is the final word on that.

      I will not have Fantastic Beasts taken from me. I have more I want to think about and say on Nagini.

      When brains develop around stories and characters, I don’t think it’s possible to rip those things apart.

      Liked by 1 person

  2. It’s honestly hard to express how grateful I am for this post because it’s helping me work through a lot of the questions I’ve been asking myself. I still find it hard to answer them properly though. Fantastic Beasts has been kind of a refuge for me (a full-time student lol) and I relate so much to the characters. (And there are scenes from Lethal White that I find super-inspiring, though god knows I can probably never read The Silkworm again.) Now I keep wondering, am I a bad person because I still love those stories and those characters and want to see how their stories progress? Because I’ll probably watch the next films even though with anyone else I’d probably boycott? (It’s alright for ppl who still find Matilda inspiring, Roald Dahl’s dead so he won’t be getting their money.)
    If I was trans and making these decisions it’d be different, as it is I don’t think that Rowling’s work is mine to “reclaim”. It’s not even me she doesn’t care about hurting so maybe I shouldn’t be complaining but I am honestly devastated by all this and I don’t know what to do. : (

    By the way, when you say that Forstater’s bullshit is “wrong at the most basic factual level”- do you know any websites or books or whatever that show scientific evidence of the field’s validation of trans/non-binary people? Partly because as a cis person I want to educate myself further, and partly because reading Forstater’s crap I realised I honestly didn’t know any hard facts to combat that kind of rubbish. And one of my friends came out as non-binary recently, so I want to be the best ally possible. (That’s another thing. If I keep loving FB am I betraying my friend?)

    Sorry for the mini-essay. Thanks again for this post and for all your work.


    • Hello, Emma! Your question made me realize I don’t have a single, concise “Sex and Gender 101” reference to recommend! Charlotte Clymer has a hefty Twitter thread linking to various resources. https://twitter.com/cmclymer/status/1207732950109970433 I tried doing a quick Google search to see if there’s something succinct about chromosomes, gender expression and so on, and the results showed me that this is such an enormous subject in so many fields, such as religion and classroom education and sports, that I’m not sure if there’s a single, solid introductory resource! If I hear of one, I’ll mention it here. ❤

      Meanwhile, I'm still thinking about Nagini in relation to the Japanese use of "comfort women" leading up to and throughout WWII, and I'm not going to stop. And the phenomenon and character of Credence seems ever more vital to me, thinking about how the actor who embodies him is a queer and nonbinary activist.


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